11/9/2023 0 Comments Drawing head shapeshere is a terrible 30 second example of what I mean.Drawing through the form, drawing reference marks to the structural planes that aren't visible to your angle, can really help your brain and eyes get on the same page to understand how the structure is actually formed. Understanding the structure of a form can be difficult because you're not seeing it from all sides at once so your brain is trying to flatten it out to make sense of it. So focus on seeing what the forms and gestures and lines are actually doing and learn to trust your eyes.ĭraw THROUGH the form. Your brain is always trying to flatten out images which is why learning to draw in perspective can be so frustrating at first. I can literally remember times in my life drawing classes where I was starting to draw the head or the arm or the way the abdomen twisted or something and thinking "seriously, what the hell shape is that and what angle is it sitting at?" and then I would literally walk up to the model so I could better see and understand how that structure or muscle or limb was actually formed and interacting with the body and the gesture.Ī couple other big tips my early art professors gave me are:ĭon't draw what you THINK a head looks like (that is what most of us instinctively do) but focus on drawing what your eye actually sees. This is the main reason art schools emphasize life drawing rather than working from reference images. If you have the opportunity to draw from a model, whether it's an actual art model or just friends and family, it can make seeing the form in the round so much easier because you can actually walk up to the subject, walk around it, and get a better mental grasp of how the structure is actually formed. If your marks are super light they will be easy to erase or blend later and won't scar the paper.Īll previous suggestions are spot on, but one other tip I'd like to throw out there is that in your early stages, drawing from life can be super helpful here. This can help because you can compare where those shadows are to other facial forms to see how it all fits together. When you turn the image/drawing upside down it forces the brain to actually see what's there vs the expectation of what the brain wants to see, so you will notice mistakes much more easily.Īlso, try not just drawing where the structures are, but use very light marks to sketch the outlines of shadows or bright highlights. In actuality the brain fills in what we expect to see so we know something seems "off" but aren't sure what it is. This works because the brain tricks us into believing it sees the whole image. The best trick to find errors and correct proportions early into a drawing is to turn the drawing and reference upside down. Another one is most people have approximately the distance between their eyes as the same length of one of their eyes. By comparing the locations, sizes, angles you can more easily map the face. The top of the ears line up with the center of the eyes. For instance the outer tips of most peoples eyes line up with outer points of the lips. The trick is to pay attention to the corresponding points on a face. Try looking at a skull image when practicing the circle method so you can more easily see how the structures fit together. Many people use the circle for the full head shape, but the circle is actually for the round portion of the skull.
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